Friday, March 20, 2015

Viscount Breckenridge to the Rescue-Chapter Fifteen: Where We Learn Something Important


Of course, the important thing comes at the end of the chapter, so meanwhile, let's enjoy the ride. So, later that same morning, Tim finds Heather alone at the breakfast table and continues his same line of persuasion: we should get married because Society says so. We see into Heather's mind that she really really wants to marry Tim, but she can't because unless he loves her too, he'll only break her heart. So, he tries to persuade her and she refuses and takes shots at him. Also, she tries to get him to leave. Then we jump into Tim's mind and get this terrifying emotion: “As he met her widening eyes, he continued to battle, as he had throughout their exchange, to subdue his inner self, the primitive male who knew she was his, irrevocably his, and had no reservations about making that plain.” Now, because she loves him back, this will all work out well, but think about if she truly didn't love him. Kind of chilling.

So, we find out Heather's true plan for her life: taking care of orphans, which is kind of awesome. Tim tries to use this plan to further his plan by telling Heather that with his money, she could do a lot more good. Oi vey. Heather refuses this reason as well and says that if he can't figure out why she won't marry him, then it's just further proof they shouldn't. Then she storms away and we get this thought from Tim: “The test, it seemed-the challenge before him-was to weave a net of social compulsions and seduction, then use it to capture her, tie her up, and drag her to the altar...his primitive self liked the thought.” OK, but really. This is so not okay. The heart of this need is love, but he's trying to use the creepiest and most underhanded methods to get there, so it's no good. Good on Heather for not agreeing to his demands.

Then Heather goes to see Catriona and I finally have a favorite character in this book. Heather starts the conversation by declaring that Tim is pressuring her to marry him. Catriona touches on the Society aspect of it, and after Heather says she doesn't care, Catriona talks about how she could see how it might be too much for Heather to handle a man like that. Maybe it would be better for Heather to find a more spineless man who would be willing to marry her despite her adventures and that this would save her reputation. This speech alone makes me like Catriona. She's challenging Heather as well as making Heather compare Tim to other men and, hopefully, making Heather see who she prefers.

After Heather explains that no, there is no one else, she elaborates that she doesn't want to get married. Here we come to a theme that I do find troubling in this book: everyone assumes that Heather has to get married. Reputation-ruining kidnapping or no, everyone thinks she needs to find a man. Obviously, I have a problem with this world-view. To be fair, Heather's reason is because she hasn't found the right man and not a problem with marriage entirely. Also there is a man she totes wants to marry if they can sort out their lives, so I suppose the “solution” of her marrying Tim isn't that bad, I just don't like the assumptions at work here.

Right. Anyway, Heather says that because she can't find this mystery man, she wants to devote her life to running an orphanage. Catriona challenges Heather by saying that this is a great goal to have, but it's not a mainstay of life. It's a secondary job that Catriona has and somehow it's right that it be a secondary job of Heather's. Hm. Yes and no. Then again, we all know how Ms. Hannigan treated that red-headed orphan with the curly hair and an orphanage was the only thing Ms. Hannigan did with her life... Oh, also, Catriona uses some of her magic to give Heather advice, which really threw me off guard. Apparently, Heather's destiny is tied to that of a man much like Tim. Heather wants to go with her original plan first and then find her hero, but Catriona's magic says that Heather has that backwards. Then we get to why I like Catriona.

Heather argues that Tim doesn't love her and Catriona asks, “Are you sure?” Apparently, the kind of man that Tim is will not admit anything about his emotions easily, especially nothing that makes him so dependent as love. So, Catriona realizes that Tim is trying to use the situation to marry Heather without ever having to say those three little words that carry so much weight. Heather agrees to take another look at Tim. She wants some assurance that her love will be returned, but Catriona says that's a lot to ask for and that Heather will have to declare herself, scary as it is, before there's even a chance of Tim declaring himself. It's like Catriona has read a romance novel before and understands how people work. Also, she points out that because Tim is a hedonist, he will only pursue things that he really wants. You know, like how he's trying really hard to get engaged to Heather.

Heather thinks for awhile and gets up to go, but Catriona gives her a necklace first. There are two stones in it, a rose quartz pendant which resonates with love, and little amethyst beads which work with intelligence. Why hello, deus ex machina. Then Catriona gives a whole line of succession for this necklace, Heather's two sisters, Henrietta and Mary (whoever they are), and then to Lucilla. Heather is slightly uncomfortable taking something so valuable both financially and because it belonged to Catriona's grandma, but Catriona insists, so Heather does. Before Heather really leaves the scene, Catriona gives us one more saw, “a man who declares his heart too easily will leave you wondering whether he truly meant it-and the converse is even more true.”

So, at about the same time, Tim and Richard are out riding horses to see what they can learn about the man who tried to stare down Tim. They stop by the only tavern the guy was near and find out pretty much the same description that Heather and Tim already had: highlander, tall, broad, dark hair, and scary eyes. Oh, and also that tavern has amazing ale, apparently.

On the way back to the manor, the two men talk about Heather. Tim admits that he's gotten physical with Heather and Richard doesn't care at all. Interesting. Maybe he doesn't mind because he believes that the two are going to marry. Tim asks what Richard did to get Catriona to agree to marry him, “The same thing we've all had to do-prostrate ourselves at their dainty feet, swear undying love, and mean it.” Looks like he gives good advice too. Then we find out that Richard is a bastard, like Tim, but they were both raised like they weren't. Still, Tim has this sense of questioning whether he really belongs and he thinks Richard probably does too. Or did until he married Catriona. Tim has a place set for himself: being the Earl of Brunswick after his father dies, but he's intimidated by the role and wonders if he can fill it. ...unless he's got Heather by his side. Then he knows he can. Anyway, Tim leaves the conversation still determined not to admit his feelings, but thinking he can kind of show a little bit and make Heather curious enough about them to marry him. Idiot.

At lunch, everybody is waiting for an engagement announcement from Tim and Heather, but there isn't one forthcoming, so they just have to keep waiting. After lunch, Tim and Heather go somewhere private to talk. No, really. Just downhill from the house, there's an alcove near the stream that's got some warm, rock benches in it and this is where they go. And they really just talk.

Tim still does it the wrong way, by the way. He uses Heather's impending parental visit (yes, they're still going to make sure you're all right even though you told them not to come, Heather) to put a time limit on when they need to make a decision. It's only because of Catriona's advice that Heather decides to talk about this more with Tim. So, his arguments this time: they got along well these past eleven days when they had a common goal, so they'll probably get along well when they run the estate he'll inherit; and as his sisters have been telling him, he needs to produce an heir so the king doesn't get their estate (which, as Heather points out is a really convoluted way of saying he wants kids. She wants kids too.). Then he looks at why she's refusing. The first thing he asks about is whether she cares that he's a bastard. Oh. Poor thing. She doesn't give a rat's ass about that, but it's something that's been hanging over him his entire life and he actually had the balls to bring it up. Now if only he could find that courage to bring up other things.... So, Tim sums up that she's not intimidated by him in several different dimensions and asks what it will take for her to marry him. It's the same answer it's always been, but Heather spells it out a bit more this time. Oh, and she uses the word “affection” instead of “love” to avoid spooking Tim. Essentially, she wants to be valued as she is, be a true partner, and have love.

And here is where we finally learn something new: Tim told a woman that he loved her before and she broke his heart and he's not fully recovered. That's why he can't bring himself to tell Heather that he loves her, because he doesn't trust her enough not to shatter his heart under her heel. I kind of wish that had come up earlier. So, they stare each other down, and Tim fights not to say that he loves Heather. Eventually, she gives up and says that is what she needs to marry. Seeing no other way, Tim tries to turn “affection” into “lust” and puts a challenge before Heather saying that she can teach him what she wants and that it will be difficult to mold him to that, but not impossible. Of course, he blows this as well by saying that Heather will be able to claim some kind of achievement for getting him to the altar. So, that doesn't work either.

Then they both get entrenched in what they want and are willing to say and it turns into a fight. Tim calls her naïve and she is almost positive that he loves her and can't understand why he won't just say it instead of using every other thing he can think of instead. So, they both get mad and storm away, but neither of them is willing to let the other go, so I guess that's progress.

Oh, and then we get Catriona and Algria's commentary on what just happened. They come to the same, obvious, conclusions I did, and the chapter ends.

For the next chapter, I predict more of the same. This book started out with an adventure central to the plot, but the plot has become a lover's spat. Maybe the Highlander will come back and give us something else to focus on.

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