The subject of my
outrage happens at the end of the chapter, so it'll be awhile before
we get there, but just prepare yourselves for it. It's a giant red
flag and not at all okay. In the meantime, here's the rest of the
chapter:
So, when we left
them, Helena the Hunter was reading poetry to Eva and everything
seemed great. On a closer look, not so much. Helena the Hunter
dressed Eva in a beige dress that didn't really fit, messed up her
hairdo, and somehow got Eva to walk with a cane. The suggestion of
needing a cane makes Eva walk differently, too. The overall effect,
as Rosemary Badger describes it, is that all of it, “made her seem
like a candidate for a nursing home where the innmates supped their
meals through straws and slept in cots with the sides rolled up.”
Helena the Hunter is good at what she does, I suppose.
So, Helena the
Hunter walks up to Conrad, quotes a cliché of a poetry line at him
(How do I love thee? Let me count the ways.), wraps her arms around
him, and kisses him. Marine can't bear to watch this, and really, I
can't either. Worth nothing, seeing Eva walk like she needs the cane
makes Marine tear up. I'm glad there's someone who consistently
cares for Eva. Anyway, Marine asks Eva, quietly, if she's had
breakfast. Helena the Hunter overhears and snaps back that, of
course, she's had breakfast. While Marine was gone Helena the Hunter
had to take care of Eva all by herself. Conrad tells her to calm
down and that they only went to get the tree and meats. Helena the
Hunter complains about Flora and Annie not being enough staff and how
they've agreed that Marine should pitch in. Conrad doesn't agree
with this. Oh, this is where Helena the Hunter really lets loose
about how difficult it is to care for that old baggage, and Conrad
gets super pissed. Seeing that she's crossed the line, Helena uses
her one defense: she bursts into tears and falls against Conrad. He
doesn't try to comfort her at all. Marine thinks it's best to get
Eva and herself away from there. Good plan.
Once Eva's in her
room, she starts crying too. Poor thing. All of this drama about
her is surely not helping her new found self-esteem. Marine hugs her
and does her best to comfort her. Eventually, she looks up and sees
Conrad in the doorway. Marine has a feeling that Conrad and Eva
would want a moment, so she leaves the room. From her room, Marine
calls her aunt to tell her that she won't be there for Christmas
dinner. They don't have printed dialogue, so we know it's not an
important conversation. After she hangs up the phone, Marine
contemplates what Conrad and Eva might be talking about. She can't
help but remember Eva walking with the cane and get super pissed
about it. Good! Again, I'm glad that one person in this house
actually cares about Eva.
Eventually, someone
knocks on the door and it's Conrad. Marine asks about Eva and he
tells her that she's resting. Then he asks what Marine said to her,
as he's never seen her so upset. Marine questions this, but then
Conrad walks over to the window and looks at all of the guests
arriving, annoyed at how many of them there are. Marine archly
reminds him of how they've been focused on Conrad's guests for days
now. Although, these folks are Helena the Hunter's guests. He told
her not to invite them, but she did anyway. Marine remarks that
Helena the Hunter basically does whatever the hell she wants. Then
Marine opens her door, telling Conrad to get out.
Then Marine doesn't
let him talk. No, really. He walks over to the door and puts his
hand on the handle. Before he can say anything, Marine tells him
that he'd better go because Helena the Hunter will be wondering where
he is. A muscle in Conrad's jaw jumps at this. I wonder if he's
realizing that he should stop dating this woman yet. As he walks
down the hall, Marine yells after him that she didn't say anything to
upset Eva, that she was comforting Conrad's grandma.
Then Marine closes
the door and takes a moment to collect herself. She walks back to
the window and looks out at the swarm of people. There's about forty
out there now. As Marine thinks, “The way Helena [the Hunter] was
behaving anyone would think the house, the pool, the whole estate
belonged to her.” That is exactly what Helena the Hunter is going
for. Conrad is secondary to that goal. Then Marine reflects on how
this will probably happen and then Eva and Conrad won't have any
peace or happiness anymore. I'm kind of impressed that she's just
worried about that and doesn't think about how she wants to marry
Conrad instead.
Then Marine
reflects on how Conrad can put up with Helena the Hunter's nastiness.
She thinks that it's because he loves her, so he'll forgive her for
everything all the time. That's not how a healthy relationship
works. Anyway, Marine laid herself down to think about this and took
a little nap. She wakes up awhile later and looks out the window
again. There's Conrad looking debonair and relaxed. Every time he
laughs, Marine finds herself making fists. I honestly don't get this
one. Maybe it's because he's just being a good host for Helena's
friends as well even though he really did not want them there and
he's faking the laughter? I'm not sure how Marine would know that,
and the text doesn't support this thought. (Can you tell I got a
degree in English?) Anyway, whatever. Torturous emotions, blah blah
blah.
Marine finds
herself stalking him with her eyes. So, she also notices Helena the
Hunter following him around obsessively. You see, he's so dashing
that all of the ladies want him, and he knows it. Helena the Hunter
is afraid of losing him to some other woman. Oh honey. When you do,
it'll be to Marine. Also, I guess they're not in an open
relationship, so Conrad has been cheating on Helena the Hunter this
whole time. Just so we're all aware.
Eventually, Marine
tears herself away from the window and back to her life. She and Eva
are now trapped upstairs with nothing to do. Rude. So, Marine looks
in on Eva. She's still sleeping. Marine takes a shower, which, the
text notes, includes washing her hair. I would have assumed that,
but okay... Then Marine looks in on Eva again and finds that she's
awake. Eva seems to have forgotten whatever she was upset about, and
is now just worried about her hair.
I mean, the hair is
important, but can we take a moment here? This is twice now that Eva
has magically forgotten something that was deeply upsetting to her.
I'm not sure if she's bottling it up, or genuinely forgetting.
Neither one is all that good, but you can only really do something
for the first one. So, yes, I'm a little worried for her mental
health. Either that or her moods are a plot point, so they'll change
accordingly. I mean if we want to look at the architecture of the
story...
Anyway, Marine
suggests that Eva take a bath, and they'll see what they can do for
her hair. They can't fix it, and Eva refuses to go through Christmas
with unsatisfactory hair. Good for her! She should feel like her
wants and needs are important. So, the two decide to go to Palm
Beach, a nearby town, to get her to another salon. Eva remembers one
there, but Marine wonders if it is still there. Also, Eva is in a
much more suitable dress now, because Marine helped her get dressed.
They head downstairs and Conrad meets them at the foot of the stairs.
He gives Marine a once over and tells her to put on her bikini.
They have a nice chair under the biggest umbrella for his grandma.
Then he tucks his grandma's hand under his arm, and Marine's under
his other arm and suggests they join the party. How is Marine
supposed to put on a bikini if she's out at the party? We're saved
from this conundrum by Eva remembering that she needs to get her hair
done. It looks fine to Conrad. He also likes the dress that she's
wearing. You mean the dress that you bought her, Conrad? This is
the first time she's worn it, but it fits so much better than all of
her old clothes.
Conrad is
embarrassed because he, apparently, never thought his grandma would
need new clothes. He promises to take her shopping at least once a
year. The he looks at Marine. Okay, twice a year. Eva, the
realist, asks him how he intends to accomplish that, since he's
spread so thin with all of his work all over the place. Then Eva is
awesome, “Of course, if I had another grandson and if that grandson
were smarter than you then he would find a nice girl like Marine here
and marry her and she would take me shopping.” Yes! I love old
ladies who speak their minds. I plan on becoming one, eventually.
Marine is embarrassed and Conrad takes that as her saying that she
would never want to marry into this family. On the contrary, Conrad.
On the contrary.
Anyway, Marine
tries to cover up her emotions, as always, by being bright and
chipper. If they're going to fix Eva's hair, they'd better get
going. Conrad says Eva had better take advantage of Marine's
services while she's there since she's leaving at the end of the
summer. He just loves pissing her off. Because Eva is there, Marine
doesn't rise to the bait as much. She just mentions how the end of
summer is a long way away, so they'll both have the pleasure of her
company for awhile yet. She tries to look scathingly at Conrad, but
just manages a “wistful and lonely”. She looks away quickly
before he can read too much into it. After all, “It wouldn't do to
have him think that it wasn't only Eva who could take advantage of
her services!” Oh baby. Then Helena the Hunter has to rush in and
ruin everything.
She blows Conrad's
disappearance way out of proportion and says the party will die
without him. I'm sure that forty or more people noticed when one
person left. He tells Helena the Hunter that he was trying to get
Eva and Marine to join them. Helena the Hunter is aghast at the very
suggestion. Conrad replies, far too bitterly, that they have better
things to do and implies that the hairdo is just an excuse. Rude.
Very rude. Marine watches him go. Helena the Hunter stays put
because she has to be a bitch some more. “I see you're still
trying to get him to notice you.” She says she had thought that
Marine was using Eva to get to Conrad, but that can't be the case
since they spend all of their time in hair salons. Then Helena the
Hunter says that Marine's hair is stupid, whips her long, luscious
locks over her shoulder and saunters off after Conrad.
Eva offers the
highest compliment she can to Marine's hair, “It looks clean and
fresh.” Now, my initial reaction is that this isn't a very good
compliment. However, Eva was trying to be nice, so she thinks this
is good. She must be used to having dirty hair, probably because
she's been so very neglected. Oh my goodness, we have consequences
for characters' situations. Nicely done, Rosemary Badger.
Marine thanks Eva
for the compliment and asks if she wants something to eat there or at
Palm Beach. Eva, wisely, chooses Palm Beach. I had forgotten how
early they started this day. They must be talking about lunch. I
forget that people wake up this early if they don't have a pressing
reason to. Anyway, the two head over to Palm Beach where they find
several salons, although not the one that Eva went to. They have to
wait for an appointment here, so they grab some lunch. When they're
done eating, Marine loses herself in thought. It's about how Conrad
always misunderstands what she does. Eva asks Marine what's wrong,
and Marine says something about the time of year. She doesn't follow
up with any reason summer or Christmas is depressing to her, so I
have to assume that she is lying without conviction.
Eva, of course,
doesn't believe this and asks if it's because of what Helena the
Hunter said. Eva advises Marine to ignore the bitch. That's what
Eva does. Marine replies that it isn't Helena the Hunter, although
she admits that Helena the Hunter is hard to deal with sometimes.
Instead of talking about why she's unhappy, she talks about how
Conrad seems unhappy. Here we find out some more about the guest
situation. Both Helena the Hunter and Conrad invited guests to their
soiree. Helena the Hunter is a model (Oh. If we learned this
earlier, I had forgotten), so all of her friends are artsy. Helena
the Hunter has friends? Actual friends? I don't believe that. Eva
finishes by saying that Conrad should be happier once his guests
arrive. Marine apparently hadn't figured out that they both had
guests coming to this thing. Oh, then we get this bit from Eva.
She's talking about
how opposites attract, but she doesn't think that Helena the Hunter
is right for Conrad. Also, she thinks that Helena the Hunter might
just be a golddigger. Marine pretends to be shocked. Eva continues
by saying that she doesn't think Conrad loves Helena the Hunter
either, but that he “hasn't bothered to take the time to get rid of
her.” Excuse me? With someone as high maintenance as Helena the
Hunter, it would be way easier to get rid of her than to keep putting
up with her shit. I mean, she would throw a hissy fit when you broke
up, and she'd be super pissed about it for awhile, but if you don't
hang with her crowd anyway, would it really matter?
Marine, meanwhile,
is super happy about this news. If there's no love between Conrad
and Helena the Hunter, then there's hope for her and Conrad to get
together! Oh, but even thought Helena the Hunter isn't right for
Conrad, neither is Marine. They're from two different worlds. It
would never work. Yadda yadda. She really doesn't know that she's
the main character in a romance novel.
Anyway, Marine and
Eva had driven into Sydney and let themselves be talked into dinner
with Marine's family. Eva was the center of attention, telling tales
of Christmases long past. Marine had called the house and told Flora
that they would be late getting back because of their dinner. Yeah,
like she's going to pass that message on. When they do get back
sometime after nine, the music is really pumping. I'm not sure how
they're going to sleep, even on a different level of the house.
Also, there's a billion people there and it's hard for Marine to find
parking.
They make it inside
and, oh hey Conrad. Oh, you and Helena the Hunter weren't hanging
out in the sun room for some alone time? You were just hanging out
by yourself? I knew he didn't actually want to have this party. Oh,
also, Conrad was super worried about them, but, of course, shows it
by being super pissed off. He yells at Marine, asking why she kept
Eva out so late. Eva argues that they had a great time. Conrad snaps
back that everyone was worried about them (read: just him). He'd
been up and down the road looking for them to see if they'd gotten in
a wreck and he was just about to phone the police. Marine tries to
apologize, but he won't hear it. He gives Marine some more anger and
Marine mentions how she had called Flora and told her they would be
staying in Sydney for dinner. Conrad wants to know who with. Marine
is tempted to tell him they ate with some charming gentlemen in an
expensive restaurant. I almost wish she would have. She tells him
the truth, though, which is really a better plan.
Now Conrad's anger
is gone and he looks “heartbreaking vulnerable”. Then Marine
understands what kind of strain he must have been through. Also,
Marine doesn't blame Flora for not passing on her message; she blames
herself for not insisting that she speak with Conrad. I totally
blame Flora. She's trying to get Marine and Eva out of the house for
Helena the Hunter, so she didn't forget. It was definitely on
purpose.
So, remember how I
was counting up Conrad's abusive behaviors? He seriously steps over
the line on this one: “I don't want you on the road the holiday
season. The roads are crowded with drunks this time of year. If you
must go somewhere then I will drive you.” Oh. Hell. No. What,
are there constantly drunk people driving on these roads all day for
several weeks? This one is devious because it almost seems like
genuine concern. Really, it's a power play. There's nowhere Marine
can walk to from Conrad's house. If she wants to get away, it'll
pretty much have to be by car. Now Conrad is taking that away from
her. Incredibly not okay. The scene continues...
Marine tells Conrad
that she can drive herself, thanks. She's never been in an accident.
Conrad basically tells her that means nothing and says that he's
just thinking of his grandma's safety. Yeah right. Oh, and
furthermore that she not go on the roads until after the new year.
Marine tells him point blank that he's being unreasonable. She goes
through a defensive driving course each year, for some reason, so
she's probably a better driver than he is. Then she takes a dig at
how Conrad was speeding so heavily earlier that day. Then Eva loses
just about all the respect I had for her: “Eva tugged at her arm.
'Conrad's right, Marine,' she said. 'The roads are dangerous this
time of year. It's best not to be on them unless it's an
emergency.'” Ugh. She had no problem going out to get her hair
done and staying at dinner, but now that there's a conflict, Eva
can't stand up for herself or Marine. She was doing so well, too!
Also, it really rankles that she says they shouldn't drive unless
it's an emergency, but the offer is that Conrad will drive them
whenever they want. Eva is saying that she thinks even less of
Marine's driving than Conrad did.
Oh, and then Conrad
says that Marine should emulate Eva's common sense. No wonder Eva
has so little self-esteem. Every time her interests collide with her
grandson's, she folds and he praises her for it. He, Flora, and
Annie are about her only interactions, so with such conditioning it's
a wonder she voices opinions that might be contrary at all. For
example, what she was saying about Helena the Hunter earlier this
very day.
Anyhow, Conrad
tells Marine not to argue with him. He wants something and it's
going to be that way, and that's final. Marine, do us all a favor,
slap him, pack your things, and leave. Please? Oh, take Eva with
you if she's willing. Marine's way of thinking about this gives me a
bit of hope for her, because she, “wasn't about to give up her
freedom so easily. Nor was she about to allow this overbearing,
arrogant brute of a man to dictate to her.” Damn right. That's
the other thing. Being able to drive isn't just about a way out,
it's also day to day freedom. That's why this is such an awful
thing. Then Marine gives Conrad an ultimatum, which might not have
been the smartest thing. She tells him that unless he takes her keys
away, he's not going to stop her from driving.
Then we have a
whole exchange about how her keys are in her purse, not her car, and
Conrad tells her to give him her keys. Her response? “'Don't be
ridiculous,' she snapped. 'You have no business demanding my keys.'”
So very, very true. Conrad tells her that she can give him the
keys, or he'll take them from her. Marine takes a glance at Eva.
She's liking this argument. Marine is puzzled because most of the
reason she wants to keep her mobility is to get Eva out and
interacting with folks. I think it's because no one really stands up
to Conrad and she likes that Marine will. Well, to a point. Marine
offers a compromise that she won't drive unless she tells him first.
Conrad won't budge. He demands her keys again. Very angry, she
finally gives in. I would never have handed over those keys. He
would have had to fight me for them, and when abuse becomes physical,
it's easier to show the signs to the police that you call soon
afterwards. Of course, this is all assuming that Conrad doesn't
break you too badly and/or keep you away from a phone. This is scary
stuff and there is no easy answer, but in this particular instance, I
think Marine should have said no and walked away. I don't think
Conrad would have actually attacked her and she could have barricaded
herself in her room, or in a first story room, slipped out the
window, and driven away, hopefully before Conrad realized what was
going on.
Then Conrad gives
Marine back her purses, wishes them goodnight, and looks triumphant.
Bastard.
So,
signs of abuse in this chapter: 1) controlling behavior. Here's a
direct quote from the website I'm using for this, “As this
behavior progresses the situation will worsen, and the abuser may
assume all control of finances or prevent the victim from coming and
going freely.” Well that one certainly escalated. I wonder if
Conrad will let Marine leave when the summer is over, or if she'll
have to escape. 2) Isolation. Conrad taking Marine's keys also
isolates her from friends and family pretty completely. As the
website says, “The abuser may block the victim's access to use of a
vehicle, work, or telephone service in the home.” Well, that
certainly came true too. Do you see why I was so very pissed off
about this? It's a huge deal and it's incredibly not okay. I was
kind of kidding earlier when I said that Marine needed to get out,
but now I'm serious. This is not a good situation, and Marine needs
to get herself and Eva out. Eva's position is not a poisonous, but
it is still not at all healthy and neither of them can stay in this
house.
All right. My predictions for the next
chapter: Marine will call the cops on Conrad and they will dismiss
her concerns about him being abusive because she's just a woman and
he's a very powerful man. Wait, that one seems a little too much
unlike fiction. Let's go with this: Marine's parents continue their
battle against the dark forces that want to control the earth, but
they realize that they will need some help. It is time for them to
find their master. She would be an old woman by now, but they know
she would still have her skill and at the very least be able to give
them advice to help them defeat their foe. So it is that they board
an airplane back to Australia to see Eva Wright and beg for her help.
You thought I couldn't connect those two alternate plot lines,
didn't you?
Oh, for the curious or concerned,
here's the website I've been using to list abusive behaviors:
http://www.newhopeforwomen.org/abuser-tricks
They have a toll-free 24 hour crisis hotline number as well
1-800-522-3304,
although they recommend 911 if you're in immediate danger, which, if
you're reading my blog I really hope you aren't. But also just in
general. This stuff is all things you hope you never need, but
someday you might.

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